Thursday 29 September 2011

Super Thursday


The biggest day in the publishing calendar has rolled around once more: Super Thursday is here again. ‘Super Thursday’ has become a staple of the British publishing landscape over the last few years as companies rush to gain those all important Christmas sales.

Over two hundred new hardback titles were released today, flooding bookshops with a host of celebrity autobiographies, fiction and cookery titles which are sure to make this year’s Christmas lists.

In a break from the patterns of the past few years, publishers have staggered some of their autumn releases in a bid to increase sales across the season.

This year’s Super Thursday list includes the latest Jamie Oliver: Jamie’s Great Britain, James Corden’s autobiography, the latest offering from Bernard Cornwell and comedy character Alan Partridge’s autobiography 'I Partridge: We Need to Talk About Alan'.

Book makers are already giving odds on the top sellers this Christmas, with Jamie Oliver and the Guinness Book of Records currently leading the pack according to William Hill.

Saturday 24 September 2011

Cheat Sheet : Jane Eyre




 Welcome to the third in the series of Read It Ribbit's Monthly Cheat Sheets. This month, we've condensed Charlotte Bronte's Jane Eyre so you'll have an idea what's happening in the Fukunaga adaptation which apparently screws with the plot's timeline. See, book blogs can involve poular culture!












Cheat Sheet 3:  Jane Eyre

Title (s): Jane Eyre

Author  Charlotte Brontë. Originally published under pseudonym Currer Bell.

Who’s Who?
Jane Eyre: The original plain Jane. An orphan brought up by her unfeeling aunt and sent to a cold and often harsh boarding school, Jane uses her intelligence and wit to rise above a potentially damning situation to gain a respectful position as a governess. Jane clings to her morals and her pride in a mostly degenerate world.

Mr (Edward) Rochester: The archetypal leach, Rochester is knocking on the door of middle age but has no problem at all playing mind games with a twenty something without a friend in the world who would be destitute without her job. He acts on impulse with very little care or thought for the consequences of his actions, which leads to many problems later on. Expects his servants to shoulder the burden of his past mistakes.

St John Rivers: Not worth noting except his existence inadvertently explains the mystery of the popular colonial name of Sinjin (for some reason, you pronounce it weirdly). Sinjin is a boring pastor who makes eyes at Jane when she stumbles upon his house after fleeing Thornfield and is taking in by him and his sisters, Mary and Diana.

Bertha Rochester nee Mason: The original mad woman in the attic. Pyromaniac Bertha is probably the most un –PC character within the novel. Much maligned by her husband who locks her away with a carer (Grace Poole) in the Thornfield attics upon discovering she suffers from mental illness. Her brother, Mr Mason, also appears.

Adele Varens: A young French girl who Jane acts as governess to and is the ward of Mr Rochester. Rochester had an affair with her dancer mother Celine several years ago and agreed to act her protector when Celine was dying. It is unknown even to Rochester whether or not he is Adele’s father.

The Reeds: Jane’s cruel relatives with whom she spends her early childhood. After the death of her kindly uncle Reed, the cruelty of her Aunt and her cousins propels her to Lowood school.


What happens then?

The young orphan Jane suffers at the hands of her relatives, the Reed’s , after her uncle's death and is shipped off to Lowood boarding school. Initially a place of great cruelty and hardship, she looses her best friend Helen to consumption but finds kindness and inspiration from her teacher Maria Temple and follows in her footsteps to teach at Lowood for a further two years after completing her own studies.

Wanting a change of scenery, she answers an advert for position as a governess at Thornfield Hall. When Jane eventually encounters the lord of the manor, Mr Rochester, her world turns upside down as the old leach decides to play a game of cat and mouse with her. Blowing hot and cold and dangling nubile young ladies called Blanche in front of poor plain Jane, she is thrown into despair as she realises the only man who has ever paid her any attention is much more likely to fall for a pretty young thing with the right sort of connections over a penniless servant. Rochester’s mind games continue as he dresses up as an old gypsy woman (yep you read that right) and tells her fortune, dropping massive elephant-in-the-room hints to the reader that he’s actually interested in Jane.

 After some too-ing and fro-ing where the pair get closer (including a strange midnight encounter where Rochester asks her to help his mysteriously injured friend Mr Mason) Jane is forced to leave Thornfield when she finds out that her cousin has died and that her aunt Reed is gravely ill. She returns to her family home to bury the hatchet with her surviving cousins and try and smooth things over with the old bag. Before the old bag finally pops her clogs, she gives Jane a three year old letter from another uncle, John Eyre, who it seems was rich and wanted to adopt Jane and give her all his money but the evil old cow didn’t forward the message out of spite so all this time Jane has been none the wiser. (This plot point would never happen these days, what with email and phones, twitter and the legions of determined, kamikaze Harry Potter owls which will get the message to you no matter what in the manner of the Milk Tray Man).

Jane eventually goes back to work where Rochester rips out her heart by telling her he’s marrying Blanche, just after she declares her home is where he is but haha it’s only a joke and he proposes to Jane instead. She says yes, but, unsurprisingly starts getting anxious about it all and strange things like her veil being torn in half don’t help matters. Come the day of wedding and the part where the priest asks if there’s any reason that they shouldn’t get married and Mr Mason re-appears and pipes up that Rochester is married to his sister Bertha. Shock/horror!

In a typically unapologetic outburst, Rochester insists on bringing everyone back to the Thornfield attics to meet Bertha, who’s busy scurrying around, and declares that as she’s mad, he thought no one would mind him becoming a bigamist because he’s suffered enough and marrying Jane would make everything alright…. Hmmmmm. The next day, Rochester suggests that they run away to France and live in sin because he’s not really married as he was ‘tricked’ into marrying a mad woman by his own father for money: a suggestion which, to the staunchly principled Jane with nothing but her honour, is simply not on.

Unsurprisingly, Jane leaves Thornfield and her beloved Rochester behind, wandering the moors until she collapses and is rescued by Sinjin and taken in by the Rivers’. After recuperating, Jane begins to teach in a small village school and before long, it is revealed that she is the sole heir to John Eyre’s fortune and also that she is Sinjin and his sisters’ cousin (and feeling generous, she splits her £20,000 inheritance with her new found family). Sinjin asks her to marry him and become a missionary with him in India. Jane thinks she can hear Rochester calling for her from far away and begins travelling back to Thornfield at the first opportunity, escaping the clammy clutches of Sinjin in the process.

She returns to Thornfield to find the house in ashes after being burnt down by Bertha, who threw herself off the roof during the blaze. She goes in search of Rochester, who was badly injured in the fire, loosing both a hand and his sight. They make up, he proposes and she accepts now that he is free to marry. They live happily ever after, and Rochester even regains his sight enough to see their first born child, awww.


Is there a Film Version?  

Funny you should ask… If you have missed the many television adaptations  (including the rather enjoyable BBC adaptation with Ruth Wilson and Toby Stephens who managed the impossible and made Rochester a sympathetic character) there’s a brand new adaptation in cinemas now so you to can see how plain the makeup and hair department has made a pretty actressjust by gviing her an unflattering hairdo and minimal concealer.

A full list of the various adaptations can be found here http://eyreguide.bravehost.com/


Things the Fans Say


Random Facts

  • Charlotte ‘outed’ her sisters and herself as female, much to Emily’s dismay, when she publicly claimed her work which she had submitted under the male pseudonym Currer Bell. Before that time, the Brontë sisters ahd been writing under their pseudonyms as the Bell brothers.
  • Charlotte wrote to and received a reply from the then Poet Laureate Robert Southey about his views on women who wrote: ‘Literature cannot be the business of a woman's life, and it ought not to be.’ Have you ever heard of him? Miss Brontë, I believe you have been vindicated.

Other Things
  • Jane Eyre also has a much loved and much read prequel which focus on Bertha’s life before Jane meets her. Wide Sargasso Sea by Jean Rhys has also been critically acclaimed and is often studied in tandem with Jane Eyre.

EDIT 4TH NOVEMBER 2011:
ReaditRibbit has moved! Check out the new blog here

Thursday 15 September 2011

Review: Sunnyside- Glen David Gold


I love this cover and all the little Chaplin's
This door wedge sized book has been sat in proof copy edition on my shelf for two years as a remnant of my time as a bookseller.

It’s size is not surprising. It took eight years between the publication of his first novel, Carter Beats the Devil for Glen David Gold to release his second novel. Centring around actor Charlie Chaplin, budding actor and lighthouse keeper’s son Leeland Wheeler and an officious young train engineer Hugo Black and swirling with a host of secondary and minor characters interweaving through the various rich and detailed plots it’s sometimes hard to see what fits where in a novel that stretches across time and topic. Thematically spanning the Hollywood dream, the First World War, absentee parents (in more ways than one), romantic mistakes and dog training it can be quite easy to loose the central arc of the book.

Where the book really shines is the Chaplin storyline. By far the most engaging and coherent of the myriad stories, the book opens with a mass vision across America of Chaplin as his most famous character the tramp.  Leeland spies him cavorting in a rowboat off the coast off the coast of California at the same time that the train Hugo is working on is stopped by an angry mob in Texas who were (for some reason they can’t remember afterwards) awaiting Chaplin’s arrival and throughout various hotels and clubs pages are being put out for the same man. Chaplin himself meanwhile is blissfully unaware of the commotion and daydreaming about his next film. What’s most frustrating about this exciting opening is that it is never properly explained. Gold attests that this incident actually happened in his detailed endnotes but unhelpfully, doesn’t mention from which source he discovered this. More to the point, it acts as an opening but after the initial furore dies down there’s no mention of the most memorable incident in the entire novel.

We follow Chaplin as his career is taking off, through the various relationships leading up to his first marriage and how he copes with the public scorn and his own feelings of guilt when the authorities secretly ban him from taking an active part in World War One outside of morale raising. The scenes that really shine here though are when we see Chaplin in his element. The rich, evocative descriptions of Hollywood parties, film techniques and creative struggle of genius are so very detailed that it is not hard to imagine that Sunnyside is completely biographical. Chaplin himself comes across as a very likeable character with a ready wit and obvious talent that is shrouded in his own eyes by a fear of failure.

Whilst the other characters are likeable enough in their own way, Chaplin is so obviously the protagonist that I kept looking for meaningful links between their stories and his and generally drawing a blank.

Wheeler briefly meets Chaplin but otherwise, his story of blundering boyhood dreams of Hollywood stardom and escaping his overbearing (but well meaning) lighthouse keeper mother, doesn’t pick up until he finds himself fighting in France. After unintentionally ending a marriage, he rescues some Alsatian puppies from certain death and devotes the rest of his stay in France to caring for and training them. It’s unclear at first why events have taken this turn but at least the reader gets the satisfaction of understanding the connection as Leeland’s strand of the story ends (I won’t spoil it as I thought the surprise was a nice twist).

The Hugo Black storyline is even more ponderous. After appearing in the first chapter, he disappears until well over half of the book is done. There’s some good comedy moments as he finds himself driving a steam train through the Russian steppes as part of an isolated American troop and he even gets to meet three deposed princesses but otherwise his presence in the novel seems almost indulgent.  Likewise, the various bit part characters who pop up in between acts to move the narrative on in inventive ways before swiftly ducking out of frame once more (Rebecca Golood being the classic example) are charming enough and suggest a certain connectivity between all the characters but they are somewhat underdeveloped. With repeated appearances especially, I kept expecting the plots of these lesser characters to develop and begin heavily intertwining with the main players, but alas, that never came to pass.

As much as I enjoyed the comedy and the ‘big picture’ writing style of using many characters/actors (in much the same way as a plot of an old Hollywood film) I can’t help but think that Sunnyside needed a heavier hand during the editing process. The many voices can be distracting and confusing, especially when you’re trying to remember who’s related to who. There’s just so much information crammed in here from all the many hours of research that Gold no doubt put in to make this epic sized novel, that the story is quite often overwhelmed by its weight. All in all, it’s a novel with a brilliant premise but one full of internal disconnections which ultimately leads to disappointment.

EDIT 4TH NOVEMBER 2011:
ReaditRibbit has moved! Check out the new blog here

Wednesday 7 September 2011

Man Booker Shortlist 2011 Announced

The shortlist of this year’s Man Booker Prize for fiction was announced yesterday.

As reflected in the long list, a noticeable trend towards unknown authors and small publishing houses has made itself felt in this year’s nominations. Whilst previous nominees Carol Birch and Julian Barnes (the favourite to win) each make it to the shortlist, two of the six nominations go to debut novelists. Meanwhile, four of the six nominated titles were printed by smaller publishing houses: perhaps suggesting a shift in attitudes towards the changing publishing industry.

There’s also a first for this year’s shortlist in the form of Patrick deWitt’s novel The Sisters Brothers, believed to be the first Western to be make it to the coveted top six.

This year, 138 books were marked for consideration before being whittled down to the top six. Head of the judging panel, Dame Stella Rimmington said;  “Inevitably it was hard to whittle down the longlist to six titles. We were sorry to lose some great books. But, when push came to shove, we quickly agreed that these six very different titles were the best.”

The winner of this year’s prize will be announced on October the 18th and in the immediate run up, there will be several author events with the writers of the short listed titles, details of which will be announced in due course on the Man Booker website.


Shortlist
  • Julian Barnes The Sense of an Ending (Jonathan Cape - Random House)
  • Carol Birch Jamrach's Menagerie (Canongate Books)
  • Patrick deWitt The Sisters Brothers (Granta)
  • Esi Edugyan Half Blood Blues (Serpent's Tail)
  • Stephen Kelman Pigeon English (Bloomsbury)
  • A.D. Miller Snowdrops (Atlantic)